🔥 今日热播

被时间遗忘的人

评分 9.2 类型 动作 年份 2026

  本片根据艾德加·赖斯·巴勒斯的小说改编而成。讲述的是第一次世界大战期间,一艘德国潜艇在撞沉一艘英国人的船以后,救起了幸存者。但是这艘潜艇开错了方向,将这些幸存者带到了一片未知的土地上。那里,栖息着大量的恐龙和穴居人。他们能顺利地重返家园吗?

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热播 9.3

美满姻缘

琼·艾伦,安东尼·拉帕格利亚,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,罗伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers

9.1

北京遇上西雅图之不二情书

汤唯,吴秀波,惠英红,秦沛,吴彦姝,颜卓灵,王志文,陆毅,祖峰,王茜,刘志宏,张一白,艾丽娅,李灿森,陈创,韩张

4K 8.9

哈啦大发师3

艾斯·库珀,塞德里克·凯尔斯,雷吉娜·赫尔,安东尼·安德森,伊芙,J·B·斯穆夫,拉蒙尼·莫里斯,西恩·帕特里克·汤玛斯,泰加,德翁·科尔,科曼,妮琪·米娜

9.0

潇洒先生

郑则仕,关之琳,戚美珍,张国强,楼南光,柏安妮,焦姣,成奎安,陆剑明,曹建南,龙天生,刘锡贤,叶伟信,劳剑华,黄一飞,许英秀,刘玉婷,许思敏,陈颖芝 ,黄雄

明星专区

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亨利·乔治·克鲁佐

路学长

爱森斯坦

姜文

约瑟夫·维尔斯麦尔

韦家辉

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巴勒斯坦36

主演:杰瑞米·艾恩斯,罗伯特·阿拉马约,利亚姆·坎宁安,比利·豪尔,克里斯托弗·维利尔斯,西娅姆·阿巴斯,萨姆·霍尔,雅丝敏·艾玛斯利,尼古拉斯·莫斯,Mo'min Swaitat,萨莱·巴克里,尤娜·马尔万,达弗·阿比丁,索菲亚·达努,Aya Khalaf,Joanna Arida,乔治·斯梅尔,卡梅尔·埃尔·巴沙,亚当·劳伦斯,亚亚·马黑尼

  尤瑟夫每天都往返于他的农耕村庄巴斯玛和他在耶路撒冷城里的工作之间,满怀热情地努力在瞬息万变的现代世界中寻找自己的位置。他年轻而躁动,更渴望摆脱乡村生活的束缚,而不是被卷入其中的种种烦恼。尤瑟夫的故事与年轻寡妇拉巴布和她的女儿阿芙拉、粗犷的领袖哈立德、鞋匠兼当地神父卡里姆的儿子以及活力四射的都市人胡卢德和她的商人丈夫阿明的故事交织在一起。

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银色星球

主演:安德烈·瑟韦林,杰吉·特雷拉,格拉齐娜·迪拉格,瓦尔德马·科纳克基,伊沃娜·别尔斯卡,耶日·格拉莱克,埃尔兹别塔·卡尔科什卡,克里斯提娜·杨达,马切伊·古拉伊,亨里克·塔拉尔,莱谢克·德卢戈什,让·弗里兹,亨里克·比斯塔,维斯瓦夫·科马萨,耶日·戈林斯基

  改编自叔叔杰西·祖拉斯基(Jerzy Zulawski)的科幻小说杰作《月球三部曲》,故事描述人类逃离毁灭的地球,飞船坠落在银色星球上,不久后有人开始在星球上进行造神运动,然信徒分化后一派奉此外来政权为神,另一派则视之为魔,人性贪婪的劣根性,在这星球上暴露的一览无遗……  本片被誉为是“一部拍给另一个世界的人看的电影”。影评人一致推崇这部片是导演安德烈·祖拉斯基电影生涯中,最具史观、野心勃勃且兼具后现代主义的科幻哲思电影,也是他重回故乡波兰拍摄的归乡代表作。  这部充满争议的杰作,安德烈以非常风格化又带着原始情欲的方式,传达其所钟爱的命题:一则后现代主义式的寓言。故事的结局,地球人不但改变原本的内在,连外在也慢慢变成介于人与鸟的中间物种。这种由内而外,进而转化成另一物种的隐喻,也为这部犹如政治寓言的科幻史诗,更添加了奇幻色彩。  1977年当影片拍好八成时,新上任的波兰文化助理大臣禁止此片拍摄,并下令销毁场景、布置和服装,直到1986年波兰民主化,本片才跟着其它禁片出土。本片同时也发掘了戛纳影后克里斯提娜·杨达的潜能,拍摄这部处女作不久,她成为基耶斯洛夫斯基及瓦伊达最喜爱的女演员,也成为波兰的国民影后。

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251月

江湖汉子

  本片由张彻导演, 倪匡编剧, 姜大卫及傅声两大功夫巨星领衔主演. 故事描述, 林少游(傅声)、石大勇(戚冠军)及关飞(李艺民), 三者俱属浪迹江湖之豪侠, 表面上游戏人间, 实则满怀壮志, 誓以抗暴为己任. 一次, 机缘恰巧, 林等三人助青年富户楚铁侠(姜大卫)逃出险境, 并结为生死之交, 始知楚实乃闻名江湖最擅「金弹子」的高手. 元朝异族王爷早有霸占富户财富的野心, 后更借故追捕楚, 林等遂出手相助, 共谋抗暴大业...

281月

怪物计划

  一个想拍摄出恐怖纪录片的剧组在网路上发布了试镜公告,表明他们要找寻隐藏于现实生活中的骇人怪物,没想到有三个自称兽行者、吸血鬼与恶魔的报名者要前来试镜。他们相约于月全蚀之夜,在一栋森林中的偏远豪宅见面,原本只是要请对方分享自己的灵异经验,没想到竟弄假成真,变调成一场挥之不去的恐怖梦魇。

022月

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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9.7

异形魔怪5:血统

迈克尔·格罗斯,杰米·肯尼迪,Ernest Ndhlovu,Lawrence Joffe,Zak Hendrikz,娜塔莉·贝克尔,Emmanuel Castis,布兰登·奥雷,丹尼尔·詹克斯,Jarrod Pinto,Rea Rangaka,Ian Roberts,Sello Sebotsane,Pearl Thusi

9.5

无惧之爱

协塔朋·平朋,翁韦德·答奴翁,安苏玛琳·瑟拉帕萨默莎,卡维·丹扎拉岚,索姆查·肯格拉,เกียรติศักดิ์ อุดมนาค

9.4

珍妮的婚礼

凯瑟琳·海格尔,汤姆·威尔金森,格蕾丝·古默,琳达·伊蒙,阿丽克西斯·布莱德尔,Cathleen O'Malley

9.6

白金数据

二宫和也,丰川悦司,铃木保奈美,生濑胜久,杏,水原希子,远藤要,和田聪宏,中村育二,萩原圣人

经典重温

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9.8

取款机杀人夜

爱丽丝·伊芙,乔希·佩克,布莱恩·格拉格提,阿隆·休斯,奥马尔·可汗,威尔·沃伊托维希,格伦·汤普森

9.7

大器晚成2023

凯伦·吉兰,玛尔戈扎塔·扎亚茨夫斯卡,杰梅因·福勒,塔利亚·巴尔萨姆,凯文·尼龙,麦克斯·詹金斯,拉提法·赫尔德